Items like rolling papers, water pipes, dab rigs, grinders, vaporizers, or bowls? Items that traditional credit card processing merchant services and banks would consider high risk or not viable for credit and debit sales?
In preparing a PhD theses on cannabis and music, Anonymous offers a detailed view on the influence of its effects on aural perception, evolving from his early encounters with musicians and their improvisations. In my little Marijuana essays effects there was a tiny old house that always had some jazzy music coming out of it.
Some jazz does involve a fixed chord line, like a jazz standard or a popular song on which you improvise. But you can improvise on a modal tune without a fixed chord line, just creating a groove or rhythmical sound pattern or short melody and then experiencing what happens when you expand it.
That is what they were doing in the house. For both kinds of improvising you need to listen very closely to what the other musicians are playing to fit your ideas into the web of sounds.
One day a musician came out of the house, and I asked him if I could join in for a jam session.
The next evening I went there with my guitar. I was 16 and these guys were much older. The owner was an organ player with a weird, unusual technique. He was also a painter, and his psychedelic drawings and light installations created an ambience of fantasy and delight.
They offered me some marijuana and I played stoned for the first time in my life. The music seemed more intense, and I discovered that my playing was better when I just closed my eyes and let go.
They seemed to like my playing too, and eventually I joined the band. We used to tape our sessions and listened to them afterward. It was strange to listen to a piece of music you improvised the night before. Sometimes you felt as though there was something coming out of the Nordic night.
Somehow, to listen to it properly, it had to be louder, and of course you had to be stoned with closed eyes. When I was improvising stoned, I had a better sense of the correlation between the notes.
It was as though I was looking into the space between them. It was especially exciting at moments when we all changed at the same time. Most of the time I looked at my instrument and led my hands according to my musical ideas; sometimes I just closed my eyes and tried to let my hands do the music by themselves.
I was even writing and singing spontaneous lyrics that way. I put words and images together without thinking whether they had a coherent sense, and when I read them the next day, most of them did. Some had strong personal meanings that I discovered years later.
Cannabis allowed me to trust my fingers and my ears. When you use cannabis, ideas and changes come out of your hands as if they are waiting to be played.
Your fingers are running over the frets, hitting the right notes, and your soul integrates them into a structure. If you are in a certain mood, that mood is expressed just as if it was waiting to be played in that way. It was like making a journey with friends. During sequences of intense playing, I would open my eyes and look into the faces of my fellow musicians.
Sometimes this gave me a strange feeling of reading their minds and gestures, their joy and excitement. We had some really good black Nepalese hash that we used to smoke with a little tobacco in a water pipe before jamming.
It became a kind of ritual, cleaning up our minds before playing.The British were certainly not the first to believe that they were superior to other groups.
What they introduced, which is at the core of the concept of race, is that superiority and inferiority were located in the body itself and passed on through reproduction.
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